Filled with wry logic and a magical, unpredictable musicality, Kay Ryan’s poems continue to generate excitement with their frequent appearances in The New Yorker and other leading periodicals. Say Uncle, Ryan’s fifth collection, is filled with the same hidden connections, the same slyness and almost gleeful detachment that has delighted readers of her earlier books. Compact, searching, and oddly beautiful, these poems, in the words of Dana Gioia, “take the shape of an idea clarifying itself.” “A poetry collection that marries wit and wisdom more brilliantly than any I know…. Poetry as statement and aphorism is rarely heartbreaking, but reading these poems I find myself continually ambushed by a fundamental sorrow, one that hides behind a surface that interweaves sound and sense in immaculately interesting ways.” — Jane Hirshfield, Common Boundary; “The first thing you notice about her poems is an elbow-to-the-ribs playfulness.” — Patricia Holt, San Francisco Chronicle.
Poetry collections are much harder for me to review. They are so much more subjective. Are they fiction? NonFiction? Sometimes they tell a story, but usually just snippets or pieces.
I’m not sure Say Uncle generated “excitement” in me, but I did like some of them. A few were worthy enough to be copied into my journal. Many, if not most, had some connection to nature, with an undertone of romance or heartbreak.
I’m interested enough to read more from Kay Ryan. I’m not gleeful, but perhaps…delighted?
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