Two brown girls dream of being dancers–but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.
Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.
I feel a bit like I’ve missed some critical piece of this book somewhere. I got to the end and even though I felt as if this was agonizing at times…I’m thinking, “That’s it? What was the point? Did I miss it?”
Swing Time is written as a series of flash forwards and flash backs, so the timeline jumps all over the place–from London to West Africa–telling the story of two biracial girls from childhood to their tumultuous adulthood. Yes, you did read that right, TWO BIRACIAL MAIN CHARACTERS, each with their own unique perspective and personality. There’s also a gay man and bisexual woman. It had so much diversity and promise. And Zadie Smith does do a marvelous job of showing the huge variety of privilege that there is in the world: white privilege and the privilege of the wealthy and first world privilege. Our main character is so incredibly naive, even with her activist mother.
The backbones of the book were there. I found myself nodding along with a lot of it, marking down quotes, googling things that I needed to reference or read later. But unfortunately, the actual plotline didn’t hold up to Smith’s incredible prose, and that is the disappointment. I still don’t understand the connection between Tracey’s story and Aimee’s, or what actually happened with Aimee at the end. It’s almost as if this book is SO DEEP, that the plotline just dissolved into the message–such a weird feeling.
If you were looking forward to reading Swing Time, I’d say still read it. The message alone is worth it. And maybe you’ll pull more out of the plot than I did–if you understand the ending, please tell me, because I’m utterly confused. Any Zadie Smith fans out there that can help me out?