Angie Thomas: The Hate U Give

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life.

If you haven’t heard of The Hate U Give, you might want to crawl out from under your rock. EVERYONE is talking about this book, and for good reason. A lot of books get hyped up when they first come out but Angie Thomas has written a story that completely surpasses that hype.

This book is going to be one of the most important works of literature in this decade. I guarantee it. There is nothing else in YA even comes close to so perfectly illustrating the racial strife permeating the United States right now.

But not only does Thomas cover such a difficult subject, she does it in such a way that is both engaging and graceful. There is no escaping her message, even as the reader is ripped to pieces by her characters.

And trust me, you will be ripped to pieces–you will cry. I was in tears in the first 40 pages. This is not meant to be a peaceful read. Your heart is going to be pulled and poked and prodded and, especially if you’re white, your moral compass is going to go through the wringer. But this will be the best book you read all year, and it will probably climb up your list of all time favorites.

I’ve had some friends tell me that they were waiting for the hype to wear down before picking this up. And I understand that sentiment, I do that too with popular books. Sometimes too much hype can influence how we feel about them. But this is going to remain on everyone’s lips for a long time to come–and it deserves all the acclaim it is getting. Run, don’t walk to your bookstore or library. Go read this as soon as possible, and then tell everyone about it. The Hate U Give needs to be read by every single person in America.

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Patrick Ness: The Rest of Us Just Live Here

What if you aren’t the Chosen One?

The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death?

What if you’re like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again.

Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just have to find the extraordinary in your ordinary life.

Even if your best friend is worshipped by mountain lions…

So much of YA is the dramatic story about murder and tragedy among the popular kids. Vampires and werewolves and magic trolls in dungeons. This isn’t that story. This is something else, running parallel. This is the story of Emily the Background Slytherin and her friends (OMG KEVIN RUN). Those kids in the background who might actually do the assignments for graduation, whose lives go on no matter what might roam the halls or blow up the school.

But most importantly, this story is about a boy with OCD, a girl with an eating disorder, and  has both racial and LGBTQIA+ representation. Friends of mine who also have similar anxiety to mine insisted that I read this book ASAP because of the discussions that take place and I’m so glad they did. From start to finish, the OCD rep is just so incredible.

Mikey (I sort of cringe at this name because of those old cereal commercials) has severe anxiety/OCD–he gets into obsessive loops where if he doesn’t do a task exactly “right” something horrible will happen. Life becomes catastrophic inside those loops, getting worse and worse, and he becomes stuck.

Even though this is sort of a parody of YA fantasy, Ness does a wonderful job of blending his “Indie Kid” parallel with Mikey’s. The build up to the climax is so subtle that you hardly know it is coming–I sort of skimmed the chapter headings, but I thought they detracted from the actual story line, so I mostly just followed it through the main book.

I loved that Ness gives Mikey such a strong support system–his chosen family–instead of using the “hero comes to save him from his anxiety” trope. There’s a lot of talk about how one of his fears is that he is the least needed person, or no one would miss him if he were gone–I feel that SO HARD. And even though Mikey acknowledges at one point that he KNOWS he is lucky to have so many people who love him, to someone with anxiety, it’s so hard to convince ourselves that this is reality most of the time.

I could go on and on about everything that was amazing about the anxiety/OCD rep in this story. I want to quote the entire psychiatrist appointment to you. But, then you wouldn’t have to read the book, and I really think you probably should go read it. It’s going on my MUST READS list for sure, guys. So, yeah. Do it.

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Viet Thanh Nguyen: The Refugees

With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

This second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

You know how I mentioned before that I took five books with me on the cruise? Wouldn’t you know it that I finished Dune at the airport with a 4 hour wait before our flight…and 3 hours left to go…and PACKED THE REST OF MY BOOKS IN MY CHECKED LUGGAGE!

Of course I did. Oops.

This is why airport planner people add bookstores. Because no matter how fancy our cellphones get–we still need books in airports. Luckily for me, The Refugees by Viet Thanh Nguyen was 40% off! I’ve heard nothing but excellent things about this gorgeous cerulean new release, so it was no hard decision on what to grab from the shelf.

The Refugees is a collection of short stories, in the style of James Joyce or Colm Toibin–short snippets of life without a lot of context before or after. (Take that Joyce comparison with a grain of salt…I hate Joyce, but loved this. Style comparison, not author comparison.) Nguyen explores refugees of both country and soul. Every story features a Vietnamese character–while some characters have left Vietnam, others are returning–and all are experiencing some major upheaval in their life. It seems as if Nguyen doesn’t just mean “refugee” in the strict traveling sense, but also that the person is literally leaving one life for another.

Because this is a collection of short stories, know that there is no transition or connection between them besides the common refugee theme. They are written in first-person narrative, and to read them all back to back can sometimes be jarring to someone who doesn’t normally read this style. I am used to flowing right through chapters, so I probably should have read one story a day instead of doing this book all at once, to give myself a chance to separate each from the story before. That isn’t so much a flaw with the book, however, as with myself.

Regardless, I am thrilled with The Refugees, and if I could go back and choose a book from MCO, I’d still choose this one.

DiversityBingo2017:  Immigrant or Refugee MC

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Ashley Poston: Geekerella

Geek girl Elle Wittimer lives and breathes Starfield, the classic sci-fi series she grew up watching with her late father. So when she sees a cosplay contest for a new Starfield movie, she has to enter. The prize? An invitation to the ExcelsiCon Cosplay Ball, and a meet-and-greet with the actor slated to play Federation Prince Carmindor in the reboot. With savings from her gig at the Magic Pumpkin food truck (and her dad’s old costume), Elle’s determined to win…unless her stepsisters get there first.

Teen actor Darien Freeman used to live for cons—before he was famous. Now they’re nothing but autographs and awkward meet-and-greets. Playing Carmindor is all he’s ever wanted, but Starfield fandom has written him off as just another dumb heartthrob. As ExcelsiCon draws near, Darien feels more and more like a fake—until he meets a girl who shows him otherwise. But when she disappears at midnight, will he ever be able to find her again?

Part romance, part love letter to nerd culture, and all totally adorbs, Geekerella is a fairy tale for anyone who believes in the magic of fandom.

Who needs fluffy Doctor Who Cinderella fan fiction?

I NEED FLUFFY DOCTOR WHO CINDERELLA FAN FICTION.

YES I DO YES I DO.

This book is GLORIOUS, people. The story follows a fangirl blogger and the incoming lead on a sci-fi serial in a You’ve Got Mail sort of situational romance. It has all of the traditional Cinderella elements we know, but modernized and nerdified.

HOORAY FOR DIVERSE CHARACTERS! One of the leads is POC, and there’s also LGBTQIA+ people. It is a Cinderella story, so there is emotional abuse, but that is to be expected.

I read Geekerella in a matter of hours. Once you start this, you won’t put it down. It’s just the right amount of fluff and substance. And if you’re part of the world of geekdom, you’ll find this instantly relatable. And who can resist the bright purple cover?

NetGalley and Quirk Books provided this ARC for unbiased review. This post contains affiliate links.

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Michelle Moran: Cleopatra’s Daughter

At the dawn of the Roman Empire, when tyranny ruled, a daughter of Egypt and a son of Rome found each other…

Selene’s legendary parents are gone. Her country taken, she has been brought to the city of Rome in chains, with only her twin brother, Alexander, to remind her of home and all she once had.

Living under the watchful eyes of the ruling family, Selene and her brother must quickly learn how to be Roman – and how to be useful to Caesar. She puts her artistry to work, in the hope of staying alive and being allowed to return to Egypt. Before long, however, she is distracted by the young and handsome heir to the empire…

When the elusive ‘Red Eagle’ starts calling for the end of slavery, Selene and Alexander are in grave danger. Will this mysterious figure bring their liberation, or their demise?

I’ve previously read and enjoyed two of Michelle Moran’s historical fictions, and after the last one I added most of her collection to my Goodreads. Her stories are so rich and detailed that I feel I’ve been transported right into the ancients. Granted, they aren’t perfect–and they are very fictional–but extremely fun to read. And you get a fantastic look at the world from a woman’s view at the famous people we hear about in history, which were typically men.

Cleopatra’s Daughter shows us what Rome looked like during Octavian’s rule from Kleopatra Selene’s perspective. She is terrified when forced to leave Alexandria after her mother and father commit suicide, and her world is thus turned upside down. Through her eyes we see war and gladiator battles and slave riots and court judgment–everything Rome is famous for, but from an outsider looking on horrified.

There are a couple things to look out for. There are a few mentions of rape, especially when it comes to the female slaves. And speaking of slavery, there is a multitude of it. The attitudes are mixed–some are for, some are against. There’s a revolt happening and a rebel is trying to stage an uprising in the Senate to free them–there are some interesting conversations happening, but I’m not sure as much care was spent on those sensitive conversations as could have been. The biggest problem I noticed was that blue eyes/blonde hair was the MOST BEAUTIFUL AND COVETED ALWAYS–even though the Romans had conquered Gaul and taken them as slaves. The Romans still had a preference for those blue eyes and that blonde hair–it was mentioned at least every other chapter.

It isn’t the most problematic book I’ve ever read–just some things to be aware of while you’re reading. Keep your eyes open. Selene is not a woman I could ever say I want to be. But it was certainly fascinating being in her shoes for a few hundred pages.

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Margot Lee Shetterly: Hidden Figures (Young Readers’ Ed)

Now in a special new edition perfect for young readers, this is the amazing true story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program. Soon to be a major motion picture.
Before John Glenn orbited the earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules, and adding machines to calculate the numbers that would launch rockets, and astronauts, into space. This book brings to life the stories of Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden, four African-American women who lived through the Civil Rights era, the Space Race, the Cold War, and the movement for gender equality, and whose work forever changed the face of NASA and the country.

If you haven’t heard of Hidden Figures by now, you must be an naive astronaut yourself…ala Catcher Block (please tell me I’m not the only one who has watched that movie 700 times).

 

I still haven’t seen the Hidden Figures movie, but thank goodness it did not take a lifetime for the book to come available at the library. Although the edition I received was the Young Readers’ Edition…and I’m not sure how much of a difference (if there is one) between this and the regular version? I can tell you this only took me two hours to read, so do with it what you will. If there is an adult version out there, let me know what you thought of it!

I will never be over the amount of erasure that went into our school history books. Learning that might have been the biggest shock to my white privilege–I take education so seriously, and having huge chunks of information left out is unfathomable. I will slowly uncover some of what I have missed, but those who don’t care to extend their education will never know anything outside of those empty textbooks.

That is why it is so crucial for stories like Hidden Figures to be told. We learned about the space race, but all of the faces in that story were white. We never learned about the women at Langley, much less about the black computers crunching the numbers. Margot Lee Shetterly details each woman’s journey through Langley’s West Side Computing Office and into NASA.

Now, because I had the YRE, these stories were simplified. I am unsure what or if anything was left out or minimized. Nothing was extremely vivid–I have a feeling a lot of the edges were sanded down. On one hand, it was nice to have a lot of the science explained at a lower level, since I am the furthest thing from a mathematician. But I am quite interested in a more detailed depiction of these women’s lives. Also, we hardly got any information on Christine. The introduction sounds like there were four women involved, but the book is mostly about Dorothy, Mary, and Katherine. I would have liked a little bit more in her section.

I’m looking even more forward to seeing the movie now. And maybe I’ll see if the library has the full version. Maybe I just requested the wrong book–it has been known to happen! If you liked the movie, I highly recommend reading more about these women! And question your history books. What else are we missing from those pages?

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Melissa Febos: Abandon Me

In her critically acclaimed memoir, Whip Smart, Melissa Febos laid bare the intimate world of the professional dominatrix, turning an honest examination of her life into a lyrical study of power, desire, and fulfillment.

In her dazzling Abandon Me, Febos captures the intense bonds of love and the need for connection — with family, lovers, and oneself. First, her birth father, who left her with only an inheritance of addiction and Native American blood, its meaning a mystery. As Febos tentatively reconnects, she sees how both these lineages manifest in her own life, marked by compulsion and an instinct for self-erasure. Meanwhile, she remains closely tied to the sea captain who raised her, his parenting ardent but intermittent as his work took him away for months at a time. Woven throughout is the hypnotic story of an all-consuming, long-distance love affair with a woman, marked equally by worship and withdrawal. In visceral, erotic prose, Febos captures their mutual abandonment to passion and obsession — and the terror and exhilaration of losing herself in another.

At once a fearlessly vulnerable memoir and an incisive investigation of art, love, and identity, Abandon Me draws on childhood stories, religion, psychology, mythology, popular culture, and the intimacies of one writer’s life to reveal intellectual and emotional truths that feel startlingly universal.

How do I know a book deserves an automatic five-star rating? When I have eight pages of quotes in my journal. EIGHT.

I could have copied this whole book down and still needed to go back and copy it all again. Melissa Febos’ prose is FLAWLESS. God. It’s so beautiful that I can not find a single thing to criticize.

It is also DRIPPING with sex.

In fact, most of the negative reviews on Goodreads say something like “Why does this book have to be so sexual?” Um, guys, you picked a book by dominatrix…did you expect something G rated?

This isn’t so much about her time as a sex worker–that’s another book–but about every other loaded section of her life. As she puts it:

“I am Puerto Rican, but not really. Indian, but not really. Gay, but not really. Adopted, but not really.”

The memoir’s story follows her abusive relationship with a married woman and her constant struggle to escape it. She details her addiction to self-harm, then alcohol, then drugs, and then love–all in an effort to gain control over her own body. We get to know, some along with her, the heartbreakingly damaged people in her life.

But the most important point of this book is how she teaches us of the incredible psychological trauma of the Indigenous Peoples of America. At one point, she has a conversation with her agent about how no one wants to read about Native Americans, that she should write something more akin to her dominatrix book, something about her–urban and edgy. So she does just that with this book–writing her love story, but still managing to weave in Native American history in every stop that is made, and let us know just how that genocide and erasure has affected the people we have tried so hard to push down.

Prove that agent wrong. Order this book immediately, guys. It’s sexy, it’s beautiful, it’s IMPORTANT. There are LGBTQIA+ and Native and POC people everywhere in this. And you know, that agent is right about one thing–we don’t see too many Native American authors–but that shouldn’t mean a lack of wanting them published. We need more stories like this, and we can start with Melissa Fabos. GO ORDER THIS BOOK, YA’LL.

NetGalley and Bloomsbury provided this ARC for an unbiased review. This post contains affiliate links.

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Zadie Smith: Swing Time

Two brown girls dream of being dancers–but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.

Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

I feel a bit like I’ve missed some critical piece of this book somewhere. I got to the end and even though I felt as if this was agonizing at times…I’m thinking, “That’s it? What was the point? Did I miss it?”

Swing Time is written as a series of flash forwards and flash backs, so the timeline jumps all over the place–from London to West Africa–telling the story of two biracial girls from childhood to their tumultuous adulthood. Yes, you did read that right, TWO BIRACIAL MAIN CHARACTERS, each with their own unique perspective and personality. There’s also a gay man and bisexual woman. It had so much diversity and promise. And Zadie Smith does do a marvelous job of showing the huge variety of privilege that there is in the world:  white privilege and the privilege of the wealthy and first world privilege. Our main character is so incredibly naive, even with her activist mother.

The backbones of the book were there. I found myself nodding along with a lot of it, marking down quotes, googling things that I needed to reference or read later. But unfortunately, the actual plotline didn’t hold up to Smith’s incredible prose, and that is the disappointment. I still don’t understand the connection between Tracey’s story and Aimee’s, or what actually happened with Aimee at the end. It’s almost as if this book is SO DEEP, that the plotline just dissolved into the message–such a weird feeling.

If you were looking forward to reading Swing Time, I’d say still read it. The message alone is worth it. And maybe you’ll pull more out of the plot than I did–if you understand the ending, please tell me, because I’m utterly confused. Any Zadie Smith fans out there that can help me out?

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Han Kang–Human Acts

From the internationally bestselling author of The Vegetarian, a rare and astonishing (The Observer) portrait of political unrest and the universal struggle for justice.

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.

The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho’s own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.

An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

This book.

Deep Exhale.

This book is a ghost story. To read this book is to experience the mass casualty that overcomes a city in war. We see both sides–from the living and bereaved–trying to find closure in a city building overcome with overflowing death. We see, too, through the blind eyes of a trapped soul, panicking under the press of rot and gore, unable to release himself from the body that no longer lives.

And that is only the beginning.

This book is a ghost story–and there are so many ghosts. There are only 218 pages, but I could not read this for more than a few minutes at a time without putting my bookmark in and just breathing. I could not cry because I felt like every emotion I had was sucked right out of me.

I’m not sure how to describe this book–beautiful? amazing? great? All of those words could fit but mostly it just tore me to shreds. This short book is exhausting to read and in literature that is the exact opposite of a negative review. Just be prepared when you go into this. Han Kang does not need to waste 500 pages on dramatic world-building, she can do it in a whisper. You will be haunted by Human Acts. This book is a ghost story.

This book was provided by Blogging for Books and Hogarth for an unbiased review. This post contains affiliate links.

Read the World:  South Korea

DiversityBingo2017:  NonWestern Real World Setting

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Ta-Nehisi Coates: Between the World and Me

In a series of essays, written as a letter to his son, Coates confronts the notion of race in America and how it has shaped American history, many times at the cost of black bodies and lives. Thoughtfully exploring personal and historical events, from his time at Howard University to the Civil War, the author poignantly asks and attempts to answer difficult questions that plague modern society. In this short memoir, the “Atlantic” writer explains that the tragic examples of Michael Brown, Trayvon Martin, and those killed in South Carolina are the results of a systematically constructed and maintained assault to black people–a structure that includes slavery, mass incarceration, and police brutality as part of its foundation. From his passionate and deliberate breakdown of the concept of race itself to the importance of the Black Lives Matter movement, Coates powerfully sums up the terrible history of the subjugation of black people in the United States. A timely work, this title will resonate with all teens–those who have experienced racism as well as those who have followed the recent news coverage on violence against people of color.

I’m so glad I read Malcolm X before getting to this, but also that I read them so close together. I’m not sure I would have understood Between the World and Me as well without Malcolm, but Coates also added much needed polish to Malcolm’s rough and angry manifesto. This is the kind of book that makes me want to bury myself in a great old library with piles of books and not come out again for days. There is just so much I do not know or understand, and the more I read on this topic, the less I feel prepared to work on it.

Ta-Nehisi Coates’ prose is more like poetry. He repeats the same phrases over and over in his work, and they really begin to resonate.

hisbodyhisbodyhisbodyhisbody
mybodymybodymybodymybody
yourbodyyourbodyyourbodyyourbody

Like a poem that none of us have a right to read.

He also rarely, if ever, calls us white people–instead using the term “the people who must believe they are white.” That is such an important distinction. Race is a social construct, birthed by this idea that some people are less than other people.

His mission in this book is to help explain to his son why black people are being killed–after they watch Michael Brown’s killer go free in Ferguson. He discusses many other similar violences, but mostly is trying to teach his son how to protect himself. This is a letter from a concerned parent to a scared boy in a world that does not care about him.

Toni Morrison states so clearly on the cover that “This is required reading.” She is absolutely right. This was written for a 15 year old boy, so it could technically be considered young adult, though I don’t think it is. It should be taught in every high school across America, though I’m sure it isn’t. It’s absolutely going on my MUST READS list, no doubt about it.

Beat the Backlist Challenge #64

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