Angie Thomas: The Hate U Give

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life.

If you haven’t heard of The Hate U Give, you might want to crawl out from under your rock. EVERYONE is talking about this book, and for good reason. A lot of books get hyped up when they first come out but Angie Thomas has written a story that completely surpasses that hype.

This book is going to be one of the most important works of literature in this decade. I guarantee it. There is nothing else in YA even comes close to so perfectly illustrating the racial strife permeating the United States right now.

But not only does Thomas cover such a difficult subject, she does it in such a way that is both engaging and graceful. There is no escaping her message, even as the reader is ripped to pieces by her characters.

And trust me, you will be ripped to pieces–you will cry. I was in tears in the first 40 pages. This is not meant to be a peaceful read. Your heart is going to be pulled and poked and prodded and, especially if you’re white, your moral compass is going to go through the wringer. But this will be the best book you read all year, and it will probably climb up your list of all time favorites.

I’ve had some friends tell me that they were waiting for the hype to wear down before picking this up. And I understand that sentiment, I do that too with popular books. Sometimes too much hype can influence how we feel about them. But this is going to remain on everyone’s lips for a long time to come–and it deserves all the acclaim it is getting. Run, don’t walk to your bookstore or library. Go read this as soon as possible, and then tell everyone about it. The Hate U Give needs to be read by every single person in America.

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Patrick Ness: The Rest of Us Just Live Here

What if you aren’t the Chosen One?

The one who’s supposed to fight the zombies, or the soul-eating ghosts, or whatever the heck this new thing is, with the blue lights and the death?

What if you’re like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again.

Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just have to find the extraordinary in your ordinary life.

Even if your best friend is worshipped by mountain lions…

So much of YA is the dramatic story about murder and tragedy among the popular kids. Vampires and werewolves and magic trolls in dungeons. This isn’t that story. This is something else, running parallel. This is the story of Emily the Background Slytherin and her friends (OMG KEVIN RUN). Those kids in the background who might actually do the assignments for graduation, whose lives go on no matter what might roam the halls or blow up the school.

But most importantly, this story is about a boy with OCD, a girl with an eating disorder, and  has both racial and LGBTQIA+ representation. Friends of mine who also have similar anxiety to mine insisted that I read this book ASAP because of the discussions that take place and I’m so glad they did. From start to finish, the OCD rep is just so incredible.

Mikey (I sort of cringe at this name because of those old cereal commercials) has severe anxiety/OCD–he gets into obsessive loops where if he doesn’t do a task exactly “right” something horrible will happen. Life becomes catastrophic inside those loops, getting worse and worse, and he becomes stuck.

Even though this is sort of a parody of YA fantasy, Ness does a wonderful job of blending his “Indie Kid” parallel with Mikey’s. The build up to the climax is so subtle that you hardly know it is coming–I sort of skimmed the chapter headings, but I thought they detracted from the actual story line, so I mostly just followed it through the main book.

I loved that Ness gives Mikey such a strong support system–his chosen family–instead of using the “hero comes to save him from his anxiety” trope. There’s a lot of talk about how one of his fears is that he is the least needed person, or no one would miss him if he were gone–I feel that SO HARD. And even though Mikey acknowledges at one point that he KNOWS he is lucky to have so many people who love him, to someone with anxiety, it’s so hard to convince ourselves that this is reality most of the time.

I could go on and on about everything that was amazing about the anxiety/OCD rep in this story. I want to quote the entire psychiatrist appointment to you. But, then you wouldn’t have to read the book, and I really think you probably should go read it. It’s going on my MUST READS list for sure, guys. So, yeah. Do it.

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WWW Wednesday 4/19/2017

 

What are you currently reading?

Schindler’s List by Thomas Keneally

For Study:  Confessions by Jean-Jacques Rousseau

For Study:  The Norton Anthology of American Literature by Nina Baym

 

What did you just finish reading? (As always, click on the link below to see what I thought!)

Prince Charles by Sally Bedell Smith

Dune by Frank Herbert

Prince Charles by Sally Bedell Smith

 

What do you think you’ll read next? 

The Lowland by Jhumpa Lahiri
The Unforgettables by GL Thomas
Girl Out of Water by Laura Silverman

Viet Thanh Nguyen: The Refugees

With the coruscating gaze that informed The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

This second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

You know how I mentioned before that I took five books with me on the cruise? Wouldn’t you know it that I finished Dune at the airport with a 4 hour wait before our flight…and 3 hours left to go…and PACKED THE REST OF MY BOOKS IN MY CHECKED LUGGAGE!

Of course I did. Oops.

This is why airport planner people add bookstores. Because no matter how fancy our cellphones get–we still need books in airports. Luckily for me, The Refugees by Viet Thanh Nguyen was 40% off! I’ve heard nothing but excellent things about this gorgeous cerulean new release, so it was no hard decision on what to grab from the shelf.

The Refugees is a collection of short stories, in the style of James Joyce or Colm Toibin–short snippets of life without a lot of context before or after. (Take that Joyce comparison with a grain of salt…I hate Joyce, but loved this. Style comparison, not author comparison.) Nguyen explores refugees of both country and soul. Every story features a Vietnamese character–while some characters have left Vietnam, others are returning–and all are experiencing some major upheaval in their life. It seems as if Nguyen doesn’t just mean “refugee” in the strict traveling sense, but also that the person is literally leaving one life for another.

Because this is a collection of short stories, know that there is no transition or connection between them besides the common refugee theme. They are written in first-person narrative, and to read them all back to back can sometimes be jarring to someone who doesn’t normally read this style. I am used to flowing right through chapters, so I probably should have read one story a day instead of doing this book all at once, to give myself a chance to separate each from the story before. That isn’t so much a flaw with the book, however, as with myself.

Regardless, I am thrilled with The Refugees, and if I could go back and choose a book from MCO, I’d still choose this one.

DiversityBingo2017:  Immigrant or Refugee MC

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WWW Wednesday 4/12/2017

I AM BACK. Things are mostly back to normal around here. Thanks for being patient as I take my break. I’m still mostly on a Twitter break, not sure I’ll ever go back to a full Twitter binge like I was–I’ve found it is way better for my mental health to only check in there once or twice a day, rather than stream it all day long. But I’m up to my normal reading/blogging schedule!

If you missed it, I posted my first review of Oasis of the Seas. I still have lots of thoughts left, so I probably will do at least two more posts. Watch for those in the coming weeks!

What are you currently reading?

As I Lay Dying by William Faulker

For Study:  Confessions by Jean-Jacques Rousseau

For Study:  The Norton Anthology of American Literature by Nina Baym

 

What did you just finish reading? (As always, click on the link below to see what I thought!)

Prince Charles by Sally Bedell Smith

Dune by Frank Herbert

Geekerella by Ashley Poston

 

What do you think you’ll read next? 

Schroder by Amity Gaige

Richard III by William Shakespeare

Shadow Tag by Louise Erdich

Jane Austen: Sense and Sensibility

‘The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!’

Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor’s warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner’s introduction to the original Penguin Classic edition.

It’s no surprise that Pride and Prejudice is an all-time favorite of mine. So many of us fell in love with Mr. Darcy at a young age, and we just never really let go of that crush. But I’ve had a hard time getting into some of Austen’s other books. Emma I like, but everything will always fall short of P&P.

Sense and Sensibility probably would have been better titled as Nonsense and Secrets Destroy Your Life.

I.

Was.

So.

CONFUSED.

Everyone is love with the wrong person in this book, which seemed that it would have been solved simply if they would stop keeping secrets from everybody else. Oh, this person is engaged already to this person, and this person is engaged already to this person, but not really because no one knows it and they aren’t ACTUALLY engaged, he just has a lock of her hair.

WHAT THE WHAT.

The only honest person in the whole freaking book is Colonel Brandon–who I might be even more in love with now than Mr. Darcy. If we all had a Colonel Brandon in our lives, we’d all be SO much better off.

Instead we all have Willoughbys and Wickhams.

By the end of this, I was skimming, so I took to Hulu to watch the 2008 version–and it made much more sense in movie format. Still, the only real result is that I fell even more in love with Colonel Brandon, and everyone else seemed much more the mess. Of course, in true Jane Austen fashion, it all turns right in the end, but goodness she does like to torture her lovers, doesn’t she?

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Margot Lee Shetterly: Hidden Figures (Young Readers’ Ed)

Now in a special new edition perfect for young readers, this is the amazing true story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program. Soon to be a major motion picture.
Before John Glenn orbited the earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules, and adding machines to calculate the numbers that would launch rockets, and astronauts, into space. This book brings to life the stories of Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden, four African-American women who lived through the Civil Rights era, the Space Race, the Cold War, and the movement for gender equality, and whose work forever changed the face of NASA and the country.

If you haven’t heard of Hidden Figures by now, you must be an naive astronaut yourself…ala Catcher Block (please tell me I’m not the only one who has watched that movie 700 times).

 

I still haven’t seen the Hidden Figures movie, but thank goodness it did not take a lifetime for the book to come available at the library. Although the edition I received was the Young Readers’ Edition…and I’m not sure how much of a difference (if there is one) between this and the regular version? I can tell you this only took me two hours to read, so do with it what you will. If there is an adult version out there, let me know what you thought of it!

I will never be over the amount of erasure that went into our school history books. Learning that might have been the biggest shock to my white privilege–I take education so seriously, and having huge chunks of information left out is unfathomable. I will slowly uncover some of what I have missed, but those who don’t care to extend their education will never know anything outside of those empty textbooks.

That is why it is so crucial for stories like Hidden Figures to be told. We learned about the space race, but all of the faces in that story were white. We never learned about the women at Langley, much less about the black computers crunching the numbers. Margot Lee Shetterly details each woman’s journey through Langley’s West Side Computing Office and into NASA.

Now, because I had the YRE, these stories were simplified. I am unsure what or if anything was left out or minimized. Nothing was extremely vivid–I have a feeling a lot of the edges were sanded down. On one hand, it was nice to have a lot of the science explained at a lower level, since I am the furthest thing from a mathematician. But I am quite interested in a more detailed depiction of these women’s lives. Also, we hardly got any information on Christine. The introduction sounds like there were four women involved, but the book is mostly about Dorothy, Mary, and Katherine. I would have liked a little bit more in her section.

I’m looking even more forward to seeing the movie now. And maybe I’ll see if the library has the full version. Maybe I just requested the wrong book–it has been known to happen! If you liked the movie, I highly recommend reading more about these women! And question your history books. What else are we missing from those pages?

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Melissa Febos: Abandon Me

In her critically acclaimed memoir, Whip Smart, Melissa Febos laid bare the intimate world of the professional dominatrix, turning an honest examination of her life into a lyrical study of power, desire, and fulfillment.

In her dazzling Abandon Me, Febos captures the intense bonds of love and the need for connection — with family, lovers, and oneself. First, her birth father, who left her with only an inheritance of addiction and Native American blood, its meaning a mystery. As Febos tentatively reconnects, she sees how both these lineages manifest in her own life, marked by compulsion and an instinct for self-erasure. Meanwhile, she remains closely tied to the sea captain who raised her, his parenting ardent but intermittent as his work took him away for months at a time. Woven throughout is the hypnotic story of an all-consuming, long-distance love affair with a woman, marked equally by worship and withdrawal. In visceral, erotic prose, Febos captures their mutual abandonment to passion and obsession — and the terror and exhilaration of losing herself in another.

At once a fearlessly vulnerable memoir and an incisive investigation of art, love, and identity, Abandon Me draws on childhood stories, religion, psychology, mythology, popular culture, and the intimacies of one writer’s life to reveal intellectual and emotional truths that feel startlingly universal.

How do I know a book deserves an automatic five-star rating? When I have eight pages of quotes in my journal. EIGHT.

I could have copied this whole book down and still needed to go back and copy it all again. Melissa Febos’ prose is FLAWLESS. God. It’s so beautiful that I can not find a single thing to criticize.

It is also DRIPPING with sex.

In fact, most of the negative reviews on Goodreads say something like “Why does this book have to be so sexual?” Um, guys, you picked a book by dominatrix…did you expect something G rated?

This isn’t so much about her time as a sex worker–that’s another book–but about every other loaded section of her life. As she puts it:

“I am Puerto Rican, but not really. Indian, but not really. Gay, but not really. Adopted, but not really.”

The memoir’s story follows her abusive relationship with a married woman and her constant struggle to escape it. She details her addiction to self-harm, then alcohol, then drugs, and then love–all in an effort to gain control over her own body. We get to know, some along with her, the heartbreakingly damaged people in her life.

But the most important point of this book is how she teaches us of the incredible psychological trauma of the Indigenous Peoples of America. At one point, she has a conversation with her agent about how no one wants to read about Native Americans, that she should write something more akin to her dominatrix book, something about her–urban and edgy. So she does just that with this book–writing her love story, but still managing to weave in Native American history in every stop that is made, and let us know just how that genocide and erasure has affected the people we have tried so hard to push down.

Prove that agent wrong. Order this book immediately, guys. It’s sexy, it’s beautiful, it’s IMPORTANT. There are LGBTQIA+ and Native and POC people everywhere in this. And you know, that agent is right about one thing–we don’t see too many Native American authors–but that shouldn’t mean a lack of wanting them published. We need more stories like this, and we can start with Melissa Fabos. GO ORDER THIS BOOK, YA’LL.

NetGalley and Bloomsbury provided this ARC for an unbiased review. This post contains affiliate links.

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Zadie Smith: Swing Time

Two brown girls dream of being dancers–but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.

Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

I feel a bit like I’ve missed some critical piece of this book somewhere. I got to the end and even though I felt as if this was agonizing at times…I’m thinking, “That’s it? What was the point? Did I miss it?”

Swing Time is written as a series of flash forwards and flash backs, so the timeline jumps all over the place–from London to West Africa–telling the story of two biracial girls from childhood to their tumultuous adulthood. Yes, you did read that right, TWO BIRACIAL MAIN CHARACTERS, each with their own unique perspective and personality. There’s also a gay man and bisexual woman. It had so much diversity and promise. And Zadie Smith does do a marvelous job of showing the huge variety of privilege that there is in the world:  white privilege and the privilege of the wealthy and first world privilege. Our main character is so incredibly naive, even with her activist mother.

The backbones of the book were there. I found myself nodding along with a lot of it, marking down quotes, googling things that I needed to reference or read later. But unfortunately, the actual plotline didn’t hold up to Smith’s incredible prose, and that is the disappointment. I still don’t understand the connection between Tracey’s story and Aimee’s, or what actually happened with Aimee at the end. It’s almost as if this book is SO DEEP, that the plotline just dissolved into the message–such a weird feeling.

If you were looking forward to reading Swing Time, I’d say still read it. The message alone is worth it. And maybe you’ll pull more out of the plot than I did–if you understand the ending, please tell me, because I’m utterly confused. Any Zadie Smith fans out there that can help me out?

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WWW Wednesday 2/22/2017

 

I have a new Support the Blog Page! Go check it out if you are so inclined!

 

What are you currently reading?

The Rose & The Dagger by Renee Ahdieh

For Study:  The Norton Anthology of American Literature by Nina Baym

 

What did you just finish reading? (As always, click on the link below to see what I thought!)

Human Acts by Han Kang

Between the World and Me by Ta-Nehisi Coates

Feathers by Jacqueline Woodson

 

What do you think you’ll read next? 

A Discovery of Witches by Deborah Harkness

1984 by George Orwell

There I Go Again by William Daniels