Margot Lee Shetterly: Hidden Figures (Young Readers’ Ed)

Now in a special new edition perfect for young readers, this is the amazing true story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program. Soon to be a major motion picture.
Before John Glenn orbited the earth or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules, and adding machines to calculate the numbers that would launch rockets, and astronauts, into space. This book brings to life the stories of Dorothy Vaughan, Mary Jackson, Katherine Johnson, and Christine Darden, four African-American women who lived through the Civil Rights era, the Space Race, the Cold War, and the movement for gender equality, and whose work forever changed the face of NASA and the country.

If you haven’t heard of Hidden Figures by now, you must be an naive astronaut yourself…ala Catcher Block (please tell me I’m not the only one who has watched that movie 700 times).

 

I still haven’t seen the Hidden Figures movie, but thank goodness it did not take a lifetime for the book to come available at the library. Although the edition I received was the Young Readers’ Edition…and I’m not sure how much of a difference (if there is one) between this and the regular version? I can tell you this only took me two hours to read, so do with it what you will. If there is an adult version out there, let me know what you thought of it!

I will never be over the amount of erasure that went into our school history books. Learning that might have been the biggest shock to my white privilege–I take education so seriously, and having huge chunks of information left out is unfathomable. I will slowly uncover some of what I have missed, but those who don’t care to extend their education will never know anything outside of those empty textbooks.

That is why it is so crucial for stories like Hidden Figures to be told. We learned about the space race, but all of the faces in that story were white. We never learned about the women at Langley, much less about the black computers crunching the numbers. Margot Lee Shetterly details each woman’s journey through Langley’s West Side Computing Office and into NASA.

Now, because I had the YRE, these stories were simplified. I am unsure what or if anything was left out or minimized. Nothing was extremely vivid–I have a feeling a lot of the edges were sanded down. On one hand, it was nice to have a lot of the science explained at a lower level, since I am the furthest thing from a mathematician. But I am quite interested in a more detailed depiction of these women’s lives. Also, we hardly got any information on Christine. The introduction sounds like there were four women involved, but the book is mostly about Dorothy, Mary, and Katherine. I would have liked a little bit more in her section.

I’m looking even more forward to seeing the movie now. And maybe I’ll see if the library has the full version. Maybe I just requested the wrong book–it has been known to happen! If you liked the movie, I highly recommend reading more about these women! And question your history books. What else are we missing from those pages?

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Ta-Nehisi Coates: Between the World and Me

In a series of essays, written as a letter to his son, Coates confronts the notion of race in America and how it has shaped American history, many times at the cost of black bodies and lives. Thoughtfully exploring personal and historical events, from his time at Howard University to the Civil War, the author poignantly asks and attempts to answer difficult questions that plague modern society. In this short memoir, the “Atlantic” writer explains that the tragic examples of Michael Brown, Trayvon Martin, and those killed in South Carolina are the results of a systematically constructed and maintained assault to black people–a structure that includes slavery, mass incarceration, and police brutality as part of its foundation. From his passionate and deliberate breakdown of the concept of race itself to the importance of the Black Lives Matter movement, Coates powerfully sums up the terrible history of the subjugation of black people in the United States. A timely work, this title will resonate with all teens–those who have experienced racism as well as those who have followed the recent news coverage on violence against people of color.

I’m so glad I read Malcolm X before getting to this, but also that I read them so close together. I’m not sure I would have understood Between the World and Me as well without Malcolm, but Coates also added much needed polish to Malcolm’s rough and angry manifesto. This is the kind of book that makes me want to bury myself in a great old library with piles of books and not come out again for days. There is just so much I do not know or understand, and the more I read on this topic, the less I feel prepared to work on it.

Ta-Nehisi Coates’ prose is more like poetry. He repeats the same phrases over and over in his work, and they really begin to resonate.

hisbodyhisbodyhisbodyhisbody
mybodymybodymybodymybody
yourbodyyourbodyyourbodyyourbody

Like a poem that none of us have a right to read.

He also rarely, if ever, calls us white people–instead using the term “the people who must believe they are white.” That is such an important distinction. Race is a social construct, birthed by this idea that some people are less than other people.

His mission in this book is to help explain to his son why black people are being killed–after they watch Michael Brown’s killer go free in Ferguson. He discusses many other similar violences, but mostly is trying to teach his son how to protect himself. This is a letter from a concerned parent to a scared boy in a world that does not care about him.

Toni Morrison states so clearly on the cover that “This is required reading.” She is absolutely right. This was written for a 15 year old boy, so it could technically be considered young adult, though I don’t think it is. It should be taught in every high school across America, though I’m sure it isn’t. It’s absolutely going on my MUST READS list, no doubt about it.

Beat the Backlist Challenge #64

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Malinda Lo: Huntress

Nature is out of balance in the human world. The sun hasn’t shone in years, and crops are failing. Worse yet, strange and hostile creatures have begun to appear. The people’s survival hangs in the balance.

To solve the crisis, the oracle stones are cast, and Kaede and Taisin, two seventeen-year-old girls, are picked to go on a dangerous and unheard-of journey to Tanlili, the city of the Fairy Queen. Taisin is a sage, thrumming with magic, and Kaede is of the earth, without a speck of the otherworldly. And yet the two girls’ destinies are drawn together during the mission. As members of their party succumb to unearthly attacks and fairy tricks, the two come to rely on each other and even begin to fall in love. But the Kingdom needs only one huntress to save it, and what it takes could tear Kaede and Taisin apart forever.

How funny that I read Of Fire and Stars, and then IMMEDIATELY read another F/F book right after? That was not planned AT ALL! I had Huntress out from the library in an effort to read more POC authors, but I didn’t know it also had LGBTQIA+ characters. What a nice surprise!

I fell into this book right away. I was a little afraid that starting a fantasy right after fantasy would be redundant–sometimes I have to spread them out a bit–but no, this was wonderful. The world building in Huntress takes off right away, and it’s mystical and both lush and soft at the same time. I really appreciated the pronunciation guide at the beginning, too, and made sure to study it before diving in.

As for the romance, it is both steamy and modest. There are no explicit scenes, and certain things are left to the reader’s interpretation and imagination. I can’t really tell you why because, spoilers, but I sort of preferred it that way in this context. Also, if it allows this book to get into the hands of younger LGBTQIA+ teens, then I am ALL for it.

There were a few scenes that I felt were a tad rushed, or maybe should have been left for a next book. I kept thinking that the book would end and sequel time! …but then it kept going… Those hesitations/cliff drops were a little strange. But overall I loved this story and now I need to go pick up Ash as soon as possible.

DiversityBingo2017: LGBTQIA+ MC Of Color

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Zoraida Córdova: Labyrinth Lost

Nothing says Happy Birthday like summoning the spirits of your dead relatives.

I fall to my knees. Shattered glass, melted candles and the outline of scorched feathers are all that surround me. Every single person who was in my house – my entire family — is gone.

Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange markings on his skin.

The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…

Beautiful Creatures meets Daughter of Smoke and Bone with an infusion of Latin American tradition in this highly original fantasy adventure.

I’ve seen this book EVERYWHERE lately–it’s touted as the MUST READ for 2016. Now that I’ve read it, I can see why! A multiracial, bisexual main character who is also a witch? YES PLEASE.

There’s no skirting around that bisexuality, either. There are two love interests, though one is certainly stronger than the other, and Alex’s sexuality is never in question. It’s completely normalized and it’s WONDERFUL. More of this please!

The world of Los Lagos is incredibly beautiful–fans of Alice in Wonderland are going to find this book familiar, except instead of a bland British background you’ll see a vibrant canvas reminiscent of Day of the Dead celebrations and Afro-Caribbean influences.  Cordova’s worldbuilding is as magical as the magic of the brujas, which is interwoven through families, and blessed by the gods.

I only have one real criticism of this book. More than once, Alex refers to Nova as having “bipolar eyes.” What do “bipolar eyes” look like? That is not an acceptable descriptor, even if you WERE speaking about someone with a mental illness–and nowhere in the rest of the book, that I could find, is Nova described as having Bipolar Disorder. It shocked me that in a book as amazingly diverse as this, that such a harmful word choice was used.

Aside from that issue, though, I loved the book. Is it enough for me to tell you not to read it? No, definitely not. Labyrinth Lost is an incredible story with incredible diversity. Teens should be able to see this much bisexual representation is EVERY popular YA novel. But it was enough of an issue for me to keep it from my 5 book dragon list MUST READ list. I hope she leaves that descriptor out of the sequel.

DiversityBingo2017:  OV Latinx MC

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Veronica Roth, Chronic Pain is Not a Gift

I do a lot of reviews here. I give you my straight opinion on books I have read. Ya’ll know I am always honest when it comes to what I think about that.

But I’ve never told you not to read a book that I HAVEN’T read. In general, I don’t think that is my place. Not on this website. I will often share things on twitter other people have said, and take place in discussions there. But this is a place for book reviews.

I know it is. But this can’t stand.

We’ve known for awhile that Carve the Mark by Veronica Roth was going to be problematic. The blurbs sounded bad. Then those who had ARCs started pulling things out and we all realized just how racist this book was.

If you haven’t been paying attention, Carve the Mark is a sort of Romeo and Juliet story, where one family is light and peaceful and the other is violent and dark-skinned. Yes, it is THAT kind of trope. The Shotet have kinky hair, while the Thuve have straight hair. The Shotet carve actual marks in their arms when they kill people, and are seen as barbaric. (For more information, see Justina Ireland’s excellent analysis of The Continent and Carve the Mark. She writes so much more eloquently on this subject than I can.)

All of that was reason enough to not read this book, or so you’d think. Still, we continued to see tons of promotion for it, and bloggers excited to read it. Instagram is filled with pictures of the cover–which, I agree, at first is stunning, but now just cuts every time I see it.

We didn’t think it could get worse, but last night an interview surfaced from VR on NPR. Here is a screenshot.

So not only is this book extremely racist, but it is ableist too! Horribly so. And STILL this book is being promoted. Money over People every damn day.

If you have never felt the pain of a chronic illness, I want you to listen closely to what I describe next. And then I want you to go to your Goodreads and take this horrid book off of your TBRs. Or put it on your DO NOT READ list. Stop putting this wretched book on your Instagram and your Twitter and Snapchat and Booktube. The POC and Spoonies don’t want to see it. We don’t want to read it. And the more marketing we give books like this, the more encouragement we give the publishing houses to continue to put out toxic work, instead of diverse, Own Voices stories that encourage and lift and properly represent.

So Veronica Roth, please, tell me how my chronic, debilitating migraines are a gift. Explain to me how I should be grateful for pain so bad it blinds me.

It’s pain so bad I cannot sleep or handle any light at all. All I want to do is scream but I can’t do that either because NOISE IS FORBIDDEN

It’s pure panic because OH MY GOD I AM GOING TO DIE MY HEAD IS LITERALLY GOING TO EXPLODE THIS TIME OH MY GOD PLEASE JUST MAKE IT STOP.

And then, OH AND THEN, when you try to explain it to some one they say “Oh, yeah, I get headaches a lot too. Just take an advil.”

So no. Being a Spoonie isn’t a GIFT. I don’t consider myself blessed to have chronic migraines.

I am, however, blessed to have good medical insurance, and a great support system. Many spoonies aren’t that lucky, and it’s about to get much much worse.

So you can go to hell with your book.

Fellow Spoonies, our pain is not a gift. But, WE ARE A GIFT. EVERY SINGLE ONE OF YOU IS A GIFT. I love every single one of you.

 

I want to update this, since VR did an interview after last night’s criticisms came out. She spoke a bit, clarifying that her MC isn’t always strong, that she does rely on certain medical care and support systems in the book. However, she also blamed the interviewer and did not take full responsibility for what she said. If she truly has a chronic illness, then I am sorry that it came out when she didn’t want it to–but it feels a little defensive.

Either way, the interview does not resolve the problematic nature of the book. It is still harmful to those who suffer chronic pain and illness. And she did not address the racism at all, and that is a very real issue that many people are overlooking today. No matter how you slice it, Carve the Mark is an incredibly harmful book that should never have made it through publishing, no matter who the author is. Authors can write both good books and bad books. This one is a BAD BOOK, and people need to understand why. We cannot just follow authors blindly–they are not gods, they are mortal. Unless we have discussions like this, unless we take them off their pedestal, issues like racism and ableism will never be resolved.

 

For further reading:  Check out the #NotAGift hashtag on twitter. There are amazing people sharing amazing stories there. Please listen to them. Share them. We are going back to a healthcare system where Spoonies are going to lose their medical coverage. This is #NotAGift.

Lesléa Newman: October Mourning: A Song for Matthew Shepard

A masterful poetic exploration of the impact of Matthew Shepard’s murder on the world.

On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was lured from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

It’s official. This book has broken me. I knew when I picked it up that it would be sad but WOW I did not know that I would cry all the way through it.

I was 12 when Matthew Shepard was killed in a horrific hate crime in Wyoming. I vaguely remember it but until college it really didn’t register with me what had actually happened. I remember now, the anniversary being celebrated on campus and hearing the story. It was my first real understanding of what a hate crime was–outside of the history books, I mean. These things still happen? What kind of world did I live in? Back then the world seemed so big, but so much gentler. I never could have imagined a 2016 like we’ve had.

Newman took the stories and testimonies from the town of Laramie and turned them into a heart wrenching book of poetry. In it, she allows us to witness Matthew Shepard’s last night, and the following days of grief. She honors his memory by showing us just how bright his light was, and just how cruelly it was darkened.

A book like this is going to be hurtful to some people, so protect your heart if you need to. I can’t label this a MUST READ because it could be extremely triggering. But for those who can read it, read it as a way to bring awareness to the terrifying life of being LGBTQIA+ and being out. Hate crimes are an all too real thing in this world, and getting worse. We need this message shared until every LGBTQIA+ person is safe to live without fear of violence.

If you are LGBTQIA+ and need to talk to someone, please reach out to The Trevor Project. They are there for you 24/7. 866-488-7386.

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Robin Talley: Lies We Tell Ourselves

In 1959 Virginia, the lives of two girls on opposite sides of the battle for civil rights will be changed forever.

Sarah Dunbar is one of the first black students to attend the previously all-white Jefferson High School. An honors student at her old school, she is put into remedial classes, spit on and tormented daily.

Linda Hairston is the daughter of one of the town’s most vocal opponents of school integration. She has been taught all her life that the races should be kept separate but equal.

Forced to work together on a school project, Sarah and Linda must confront harsh truths about race, power and how they really feel about one another.

Boldly realistic and emotionally compelling, Lies We Tell Ourselves is a brave and stunning novel about finding truth amid the lies, and finding your voice even when others are determined to silence it.

I have SO many feelings about this book. And that makes sense–it’s a book written to evoke extremely strong feelings. It’s a book I may need to sit on for a few days before I fully comprehend everything I just read. Which means by the time you read this, I will have edited this review 100 times at least.

Lies We Tell Ourselves is written in dual POV:  Sarah, a senior POC moving to a previously whites-only school that is being desegregated; and Linda, a white Southern Belle who is diabolically opposed to desegregation. These two spiral around each other tighter and tighter as the year goes on.

My feelings on this book are so much like reading Jodi Picoult’s Small Great Things. Dual POV (except SGT had three). One white, one POC; written by a white author. Why is this necessary? Tolley very obviously did her research here. But that is not enough. There is no way a white author could ever put herself in the true voice of a POC in the middle of desegregation. There’s so much pain and abuse and complicated human experience that a white person–ie myself trying to write this review–could absolutely never appropriately put into words. This is why Own Voices is crucial.

In fact I actually had this on my Own Voices list. It is. Sort of. But for a completely different reason. And so I would very much hesitate to call this OV in the future–the author is white, and this is a story about the Civil Rights Movement.

There is an obscene amount of racist slurs in Lies We Tell Ourselves. Part of my brain (that old part that hadn’t been exposed to diversity and humanity still pops up way too often) says “Well, Haley, this is a book about desegregation in Virginia. Of COURSE there are going to be racial slurs. Of COURSE people are going to do hateful, horrible things.” I’m also disgusted, ashamed, and I want to protect all of my friends from what is said here.

This is also the epitome of the Oppressor/Oppressed romance trope. It’s gross. Linda is a racist. Even when she “changes her mind” she still only changes her mind about Sarah, not desegregation. Sarah is different, she’s special. And Sarah is constantly having to convince herself that Linda has changed, or that she can be changed, right up until the end of the story. It’s just so disgustingly problematic.

There are some good things about this book:  Queer characters, a diverse cast of POC, girls standing up to abusive parents–really just ladies figuring out what they want in general and going for it. Unfortunately all that is overshadowed by the major problems that this book has. I am really just striking out lately, it seems.

Louise Gornall: Under Rose-Tainted Skies

Norah has agoraphobia and OCD. When groceries are left on the porch, she can’t step out to get them. Struggling to snag the bags with a stick, she meets Luke. He’s sweet and funny, and he just caught her fishing for groceries. Because of course he did.

Norah can’t leave the house, but can she let someone in? As their friendship grows deeper, Norah realizes Luke deserves a normal girl. One who can lie on the front lawn and look up at the stars. One who isn’t so screwed up.

How do some books just find you at the perfect time? It seems that I’ve read bad book after bad book lately (with one or two exceptions), and then blammo, right when I needed it, this book happened. Two days after I was FINALLY diagnosed with OCD, I pick up Under Rose-Tainted Skies.

I was hooked within the first couple pages. The narrator described her obsessions almost the exact same way I had written about them in my journal the day before my therapist appointment, and I got CHILLS. So much of what she talked about rang true with me. Mine is not near as severe, and I don’t have agoraphobia, but it was incredible to have such representation in a book.

But enough about me and back to the review. There are a lot of similarities between Nicola Yoon’s Everything Everything and Under Rose-Tainted Skies. However, Norah doesn’t have to be “fixed” to have a relationship with Luke. Instead, he comes to her. He makes an effort to learn about her disorder. In the process of their relationship, she does heal some, but she isn’t magically better. It’s baby steps, or “new pathways,” as her therapist would call them. Luke helps her grow a bit out of her comfort zone.

This book is going to be triggering for some people. There is a component of self-harm, and a very traumatic scene. Norah also experiences panic attacks throughout the book–those were difficult for me to experience, as they were very vivid. Right on target, but also hard to read through if you are one who has panic attacks yourself. Representation is everything, and amazing…but just proceed with caution if you also suffer from these kinds of mental illness.

I loved this book, I found it so helpful to read about someone like me. We need so many more Own Voices books about people with mental illness in this world. Definitely put this on your list for 2017!

DiversityBingo2017:  MC with an Invisible Disability

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Dual Review: Thelonious Legend: Sins of the Father + Childish Things

I reviewed Sins of the Father a year ago, when it was first released. I hadn’t developed my Book Dragon system yet, but I gave it a 3 on Goodreads. But it has stuck in my memory, and every time I think about it, I have wanted to go back and reread–I really did love these girls. Because he has written a sequel, Thelonious Legend contacted me and generously sent me both books, and so here is an updated review for Book 1, as well as my write up for Book 2.

Book 1:  Sins of the Father

This was going to be a special year for the Parker sisters. Eve was going to dominate in the classroom and on the basketball court. Gwen was going to make the starting five and go down in history as the greatest prankster ever. Ana was going to do as little as possible. But without warning, all three sisters gain extraordinary abilities that defy science… powers that come with a cost. Now all they want to do is make it through the school year without drawing any undue attention, while racing to find a cure before the side effects of their new abilities kill them. Eve’s temperament, Gwen’s fondness for pranks, and Ana’s predilection for money, however, are challenges they must overcome to achieve their goals. Because if they can’t, they’re dead…

My memory did not deceive me. The Parker Sisters are just as incredible the second time as they were the first. They are smart, strong, and fast–and that doesn’t just refer to their super powers, but the plot itself. I read this over Christmas weekend and kept having to put my Kindle away. I couldn’t wait to get back to the story! It is racially diverse without bringing attention to it. It simply IS diverse.

At the book’s core is a story about three black middle school girls who develop super powers and have to navigate school drama while fighting for their lives. But behind all that is also a backdrop of privilege and culture that teaches us all to look deeper than the mask people wear.

I would definitely recommend this for older middle schoolers (7th grade+) or really anyone who likes YA. There is some violence and darker themes so just be cautious with younger audiences–though I’d never discourage anyone wanting to read this.

 

Book 2:  Childish Things

Mo Powers Mo Problems! It’s a new school year for the Parker Sisters but it’s the same song and dance. Get good grades, avoid being kidnapped or killed before dinner, and don’t forget to take to out the trash. But this year there are a few new players in the game. Players who are as special as the Parker Sisters. Let the games begin.

I know I’m reading a really good book when I stop and it is way too quiet. Was I listening to music? No…the book is just THAT good.

This happened more than once while I was reading Childish Things. The action gets completely turned up in Legend’s second book. The girls are older, wiser, and more powerful. They are training harder, and are more prepared for the bad guys that are, well, badder.

Childish Things is Gwen’s story, where Sins of the Father centered more around Eve. This gives the book a very “middle child syndrome” spin, as we see her take on friends, boys, and life while constantly comparing herself to her older sister.

The social justice spin is more subtle in this second book, but it is there in the margins for those who are paying attention. I am very interested in the almost backward character development of Stacey in particular, and how Legend is using her to show white privilege and the kind of subtle unknowing prejudice we don’t realize we have.

 

Both of these books are fantastic, and ones that’ll be making my top recommendations this year. For sure add this series to your Diverse YA TBRs. I cannot wait to see what Legend does with Ana’s story next–she got quite a bit of development in Childish Things, and she’s my favorite of the three sisters. I said in my original review for Sins of the Father that Thelonious Legend would do “Legendary” things with his writing, and it may have been a pun…but I wasn’t wrong. I LOVE these books, and you will too!

Disclaimer:  The author did provide me with copies of both books for an honest review, after I had reviewed the first last year for a book tour. 

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Marie Lu: Legend

What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic’s wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic’s highest military circles. Born into the slums, fifteen-year-old Day is the country’s most wanted criminal. But his motives may not be as malicious as they seem.

From very different worlds, June and Day have no reason to cross paths—until the day June’s brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family’s survival, while June seeks to avenge Metias’s death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.

Can I tell you how weird it is to read a dystopia right now? WEIRD. We are basically living what used to be dystopian fiction, so to read it is very creepy.

Thankfully, Legend is still a ways off, and the world June and Day live in seems to have been created originally by natural disasters first, and horrible human government second. Our natural disasters are getting worse…but at least we haven’t had a super volcano yet. Right?

I’m trying to find a silver lining here guys. I’m trying.

(Hopefully by the time I post this review there hasn’t been a super volcano. You never know. Italy has had some pretty serious earthquakes lately, and there was one in New Zealand this week too.)

I’m scaring myself. What was I talking about? Oh, right. June and Day.

Real life nightmares aside, I can understand why this is so popular. It’s young adult fiction for young adults. Sometimes, as an adult reader, I forget who the audience is supposed to be while I’m reading books like this–the writing seems juvenile–but this was written by a very young author for a young audience. And for that, it fits wonderfully. Are the characters the deepest I’ve ever read? No. Is the plot totally unique? No. But I was instantly wrapped up in June and Day’s dual POV plot lines. I loved the idea that these kids were brilliant, and that they had such different life experiences.

This series goes back in my TBR jar so I can read the rest of the series. We can only hope our government looks a little less dystopian by the time I get around to finishing it. Fingers crossed (plus a whole lot of letter writing, calls, twitter rants, etc).

Update 2/10/2017–This has now been added to my shame list, and the rating has been changed to reflect that. A friend pointed out today that June is described as “She was either Native. Or Caucasian.” That is unacceptable language. It is incredibly harmful. I have removed the other books from my TBR, and moved this to my DO NOT READ list.

 

bookdragon

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